《沉寂之桥》详细介绍
分类：电影
状态：HD中字
上映时间：1989
视频更新时间：2024-10-13 04:22
国家/地区：美国
影片语言：英语
评分：2.0分
影片演员：Lee Remick Marlee Matlin Michael O'Keefe
资源类别：高清无删减
相关背景：Karen Arthur 导演执导的《沉寂之桥》，该影片在1989美国发行，上映至今获得了较好的口碑， HD中字，由Lee Remick Marlee Matlin Michael O'Keefe 等主演的一部不错的英语的电影。
剧情介绍：Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, L伟大又难得的爱情，多少人婚后，在趋于平淡的日子，将爱情磨去，而他们为什么能保留下来，是因为分别吗?二十年的岁月，而在这时期的爱情却完好的存在，且愈演愈烈，看完第一印象很像《恋恋笔记本》，他们也是在经历长久的分别后保留了最纯粹的爱，太纯粹了，太令人感到虚幻了isa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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