正在播放:衣领上的唇印第06集

衣领上的唇印同类型美剧

《衣领上的唇印》详细介绍

分类:美剧

状态:已完结

上映时间:1993

视频更新时间:2024-10-13 04:03

国家/地区:英国

影片语言:英语

评分:3.0分

影片导演:内详  

影片演员:Giles  Thomas  Ewan  McGregor  Louise  Germaine  Peter  Jeffrey  Clive  Francis  

资源类别:高清无删减

相关背景:内详  导演执导的《衣领上的唇印》,该影片在1993英国发行,上映至今获得了较好的口碑, 已完结,由Giles  Thomas  Ewan  McGregor  Louise  Germaine  Peter  Jeffrey  Clive  Francis  等主演的一部不错的英语的美剧。

剧情介绍:The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy W兄弟俩一直默默忍受,当作鬼魂,想忍到15岁就可以出去,但15岁的哥哥却被告知不能出去,于是愤怒刮破校长爱车,被校长打得半死elsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market

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